{"id":3119,"date":"2023-12-06T10:35:53","date_gmt":"2023-12-06T09:35:53","guid":{"rendered":"https:\/\/www.emmanuelpidjob.com\/artistic-projects-of-emmanuel-pidjob\/pi-djob-afrosoull-gang\/"},"modified":"2025-01-30T18:32:06","modified_gmt":"2025-01-30T17:32:06","slug":"pi-djob-afrosoull-gang","status":"publish","type":"page","link":"https:\/\/www.emmanuelpidjob.com\/en\/artistic-projects-of-emmanuel-pidjob\/pi-djob-afrosoull-gang\/","title":{"rendered":"Pi Djob & Afrosoull Gang"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2023\/05\/Emmanuel-Pi-Djob.jpeg” title_text=”Emmanuel Pi Djob” _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”||20px|||” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.23.4″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_font=”||on||||||” text_font_size=”23px” text_line_height=”1.8em” text_orientation=”center” custom_margin=”||1px|||” global_colors_info=”{}”]\u00ab AfroSoull Gang, c\u2019est lorsque la Soul de Memphis rencontre en Europe
\nle balafon du c\u0153ur de l\u2019Afrique Sub-Saharienne. \u00bb[\/et_pb_text][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”right” global_colors_info=”{}”]<\/p>\n

Augustin DIKONGUE<\/strong> (2018)<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.23.4″ _module_preset=”default” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.23.4″ _module_preset=”default” background_color=”#EED89A” width=”100%” max_width=”100%” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.4″ _module_preset=”default” background_color=”#f7eddc” custom_padding=”40px|30px|40px|30px|true|true” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font_size=”25px” text_line_height=”1.3em” header_font=”|700|||||||” header_2_font=”|700|||||||” header_2_line_height=”1.1em” background_image=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2023\/06\/background-brush-1.png” background_size=”contain” background_position=”top_center” text_orientation=”center” custom_margin=”||40px|||” custom_padding=”||12px||false|false” header_font_size_tablet=”40px” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Pi Djob & AfroSoull Gang<\/h1>\n

[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.24.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” text_orientation=”justified” global_colors_info=”{}”]<\/p>\n

Musiques de danse, de transe, de combat et d\u2019incantations, les titres originaux sont pour la quasi-totalit\u00e9 des compositions d’Emmanuel Pi Djob.<\/p>\n

La voix lead \u00e0 la raucit\u00e9 \u00ab old old school \u00bb tant\u00f4t suave, tant\u00f4t r\u00e2peuse, d\u00e9livre des textes puissants, cisel\u00e9s par les arrangements millim\u00e9tr\u00e9s et les harmonies vocales d\u00e9pouill\u00e9es du gang.<\/p>\n

Chansons souvent engag\u00e9es, aux fronti\u00e8res de la musique moderne africaine telle qu\u2019ont pu la penser Fela Kuti, Hugh Masekela, Osibisa, ou Manu Dibango, d\u2019une part, et d\u2019autre part, des musiques de la diaspora k\u00e9mite o\u00f9 se croisent subtilement Blind Gary Davis, The Neville Brothers, Toots Hiberts ou Magnum Band.<\/p>\n

Les pulsations chaudes de la Soul sont martel\u00e9es par les battements secs des balafons satur\u00e9s d\u2019\u00e9lectricit\u00e9, les roulements guerriers du Gwo ka et de lointaines boucles \u00e9lectro.\u00a0<\/a><\/p>\n

<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”||20px|||” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_font_size=”25px” header_2_font=”|700|||||||” header_2_font_size=”50px” header_2_line_height=”1.1em” background_image=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2023\/06\/background-brush-3-green.png” background_size=”contain” text_orientation=”center” custom_padding=”||0px||false|false” header_2_font_size_tablet=”38px” header_2_font_size_phone=”32px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

Le Gang<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.23.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Sur une configuration sc\u00e9nique atypique, Pi Djob & AfroSoull Gang, c\u2019est de la dynamite musicale allum\u00e9e par 5 musiciens d\u2019\u00e9lite.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Jordan Detouillon<\/strong>
Balafon chromatique, guitares,
percussions,
backing vocals<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Emmanuel Pi Djob<\/strong>
lead vocal,
guitare,
claviers<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

B\u00e9nilde Foko<\/strong>
Direction musicale, guitare basse,
backing vocals<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

J\u00e9r\u00e9my Naud<\/strong>,
claviers,
accord\u00e9on,
backing vocals<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Sega Seck
<\/strong>Batterie,
percussions,
backing vocals<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2024\/01\/ASG-Alain-Montsegur-3.jpg” title_text=”ASG Alain Montse\u0301gur – 3″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2024\/01\/ASG-Marlise-Bete-1.jpg” title_text=”ASG Marlise Bete – 1″ _builder_version=”4.23.4″ _module_preset=”default” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate=”-78px|-15px” transform_translate_tablet=”23px|-69px” transform_translate_phone=”23px|-69px” transform_translate_last_edited=”on|tablet” transform_translate_linked_tablet=”off” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|tablet” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”on|on|off” admin_label=”section” _builder_version=”4.24.0″ background_image=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2024\/01\/ASG-Gerard-Sendra-2.jpg” parallax=”on” custom_padding=”70px||439px||false|” global_colors_info=”{}”][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_font_size=”25px” header_2_font=”|700|||||||” header_2_line_height=”1.1em” background_image=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2023\/06\/background-brush-1.png” background_size=”contain” text_orientation=”center” background_layout=”dark” custom_padding=”||0px||false|false” global_colors_info=”{}”]<\/p>\n

Les choristes<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_orientation=”center” background_layout=”dark” global_colors_info=”{}”]<\/p>\n

Une version Deluxe est propos\u00e9e avec 3 choristes f\u00e9minines exceptionnelles<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.23.4″ _module_preset=”default” max_width=”680px” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”center” background_layout=”dark” global_colors_info=”{}”]<\/p>\n

Maggy Lemoine<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”center” background_layout=”dark” global_colors_info=”{}”]<\/p>\n

Ren\u00e9e Agaya Gonthier<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”center” background_layout=”dark” global_colors_info=”{}”]<\/p>\n

Suzanne Wognin<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|on” _builder_version=”4.24.0″ _module_preset=”default” custom_padding=”0px||32px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_font_size=”25px” header_2_font=”|700|||||||” header_2_font_size=”50px” header_2_line_height=”1.1em” background_image=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2023\/06\/background-brush-1.png” background_size=”contain” text_orientation=”center” custom_padding=”||0px||false|false” header_2_font_size_tablet=”38px” header_2_font_size_phone=”32px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

Les choristes<\/h2>\n

[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.24.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Une version Deluxe est propos\u00e9e avec 3 choristes f\u00e9minines exceptionnelles : Maggy Lemoine, Ren\u00e9e Agaya Gonthier, Suzanne Wognin<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.4″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2024\/01\/ASG-Gerard-Sendra-2.jpg” title_text=”ASG Gerard Sendra – 2″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.23.4″ _module_preset=”default” custom_padding=”30px|||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_font_size=”25px” header_2_font=”|700|||||||” header_2_font_size=”50px” header_2_line_height=”1.1em” background_image=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2023\/06\/background-brush-1.png” background_size=”contain” text_orientation=”center” custom_padding=”||0px||false|false” header_2_font_size_tablet=”38px” header_2_font_size_phone=”32px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

La technique<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.23.4″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2024\/01\/ASG-Miquel-Correyero-4.jpg” title_text=”ASG Miquel Correyero – 4″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Text” _builder_version=”4.24.2″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]A la table de mixage et \u00e0 la r\u00e9alisation<\/strong>, une l\u00e9gende vivante : Ambroise Voundi<\/strong>, l\u2019un des \u00ab inventeurs \u00bb du son moderne de la musique populaire africaine et afro-carib\u00e9enne (Kassav, Manu Dibango, Eug\u00e8ne Mona, Docteur Nico, Elvis Kemayo, Fally Ipupa, Ferre Gola, R\u00e9gine F\u00e9line, Pierre-Claver Zeng, Hilarion Nguema, Wenge BCBG & Maison-M\u00e8re, Tshala Muana, Koffi Olomid\u00e9, Lady Ponce, Amat Pierrot, Kali, Nayanka Bell, Jimmy Cliff, Alpha Blondy etc)<\/p>\n

R\u00e9gie g\u00e9n\u00e9rale<\/strong> :\u00a0Julien Ducrot<\/strong><\/p>\n

R\u00e9gie lumi\u00e8res<\/strong> : Franklin \u00ab\u00a0Franky\u00a0\u00bb Smith<\/strong>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.23.4″ _module_preset=”default” background_color=”#307131″ global_colors_info=”{}”][et_pb_row _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_line_height=”1.8em” text_orientation=”justified” background_layout=”dark” global_colors_info=”{}”]\u201c Du Z\u00e9nith-Sud<\/strong> au Diamond-La Falaise Douala<\/strong>, du Rockstore de Montpellier<\/strong> \u00e0 la Guingette de Millau<\/strong>, du Festival Solidays<\/strong> aux rencontres altermondialistes de Nomad-Elze<\/strong>, du petit Cabaret Des Rami\u00e8res d\u2019Eurre<\/strong> \u00e0 l\u2019immense Palais Des Sports de Yaound\u00e9<\/strong>, de l\u2019Apollo de Barcelone<\/strong> \u00e0 l\u2019Auditorium de Cahors<\/strong>, parfois mis en gestes par certains des meilleurs chor\u00e9graphes africains actuels<\/strong> comme Salia Sanou<\/strong>, ou James Carl\u00e8s<\/strong>, Emmanuel Pi Djob et son gang<\/strong> saisissent le public \u00e0 la gorge sur des grooves chauff\u00e9s \u00e0 blanc et ne rel\u00e2chent leur \u00e9treinte que pour mieux le caresser sur des ballades ent\u00eatantes, lancinantes.\u00a0\u201d<\/em>[\/et_pb_text][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_text_color=”#EED89A” text_orientation=”right” global_colors_info=”{}”]<\/p>\n

Augustin DIKONGUE<\/strong> (2018)<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.23.4″ _module_preset=”default” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.23.4″ _module_preset=”default” width=”100%” max_width=”100%” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2024\/01\/ASG-deco-Agnes-Banal-4.jpg” title_text=”ASG de\u0301co Agne\u0300s Banal – 4″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2024\/01\/ASG-deco-Agnes-Banal-2.jpg” title_text=”ASG de\u0301co Agne\u0300s Banal – 2″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2024\/01\/ASG-deco-Agnes-Banal-1.jpg” title_text=”ASG de\u0301co Agne\u0300s Banal – 1″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”||20px|||” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font_size=”25px” header_2_font=”|700|||||||” header_2_line_height=”1.1em” background_image=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2023\/06\/background-brush-1.png” background_size=”contain” text_orientation=”center” custom_padding=”||0px||false|false” global_colors_info=”{}”]<\/p>\n

Albums<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.4″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

En pr\u00e9paration, l’album EXILE RADIO<\/strong> avec Manu Dibango<\/strong> entre autres invit\u00e9s.<\/p>\n

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Get On Board! DeLuxe Edition<\/h3>\n

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Get On Board!<\/h3>\n

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Le DVD Live au Zenith-Sud Montpellier<\/strong> (2016) est en vente lors des \u00e9v\u00e8nements.<\/p>\n

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Playlist Vid\u00e9os<\/h2>\n

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Un projet<\/strong> soutenu par Epimuzik<\/strong><\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.emmanuelpidjob.com\/wp-content\/uploads\/2023\/12\/EPIMUZIK-LOGO-2023-OK-300×148.png” title_text=”EPIMUZIK LOGO 2023 OK” align=”center” _builder_version=”4.23.4″ _module_preset=”default” max_width=”150px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab AfroSoull Gang, c\u2019est lorsque la Soul de Memphis rencontre en Europe le balafon du c\u0153ur de l\u2019Afrique Sub-Saharienne. \u00bbAugustin DIKONGUE (2018)Pi Djob & AfroSoull GangMusiques de danse, de transe, de combat et d\u2019incantations, les titres originaux sont pour la quasi-totalit\u00e9 des compositions d’Emmanuel Pi Djob. La voix lead \u00e0 la raucit\u00e9 \u00ab old old school \u00bb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2387,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

\u00ab AfroSoull Gang, c\u2019est lorsque la Soul de Memphis rencontre en Europe le balafon du c\u0153ur de l\u2019Afrique Sub-Saharienne. \u00bb<\/p>\n\n\n\n

Musiques de danse, de transe, de combat et d\u2019incantations, les titres originaux sont pour la quasi-totalit\u00e9 des compositions de Pi Djob.<\/p>\n\n\n\n

La voix lead \u00e0 la raucit\u00e9 \u00ab old old school \u00bb tant\u00f4t suave, tant\u00f4t r\u00e2peuse, d\u00e9livre des textes puissants, cisel\u00e9s par les arrangements millim\u00e9tr\u00e9s et les harmonies vocales d\u00e9pouill\u00e9es du gang.<\/p>\n\n\n\n

Chansons souvent engag\u00e9es, aux fronti\u00e8res de la musique moderne africaine telle qu\u2019ont pu la penser Fela Kuti, Hugh Masekela, Osibisa, ou Manu Dibango, d\u2019une part, et d\u2019autre part, des musiques de la diaspora k\u00e9mite o\u00f9 se croisent subtilement Blind Gary Davis, The Neville Brothers, Toots Hiberts ou Magnum Band.<\/p>\n\n\n\n

Les pulsations chaudes de la Soul sont martel\u00e9es par les battements secs des balafons satur\u00e9s d\u2019\u00e9lectricit\u00e9, les roulements guerriers du Gwo ka et de lointaines boucles \u00e9lectro. <\/p>\n\n\n\n

Sur une configuration sc\u00e9nique atypique, Pi Djob & AfroSoull Gang, c\u2019est de la dynamite musicale allum\u00e9e par 5  musiciens d\u2019\u00e9lite :<\/p>\n\n\n\n